jumpin punkins

You may think it’s unfair that we have to counteract and adjust ourselves for the ill behavior of other men. You know what? You’re right. It is unfair. Is that the fault of women? Or is it the fault of the men who act abysmally and make the rest of us look bad? If issues of fairness bother you, get mad at the men who make you and your actions appear questionable.

Because when it comes to assessing a man, whatever one man is capable of, a woman must presume you are capable of. Unfortunately, that means all men must be judged by our worst example. If you think that sort of stereotyping is bullshit, how do you treat a snake you come across in the wild?

…You treat it like a snake, right? Well, that’s not stereotyping, that’s acknowledging an animal for what it’s capable of doing and the harm it can inflict. Simple rules of the jungle, man. Since you are a man, women must treat you as such.

The completely reasonable and understandable fear of men is your responsibility. You didn’t create it. But you also didn’t build the freeways either. Some of the things you inherit from society are cool and some of them are rape culture.

A Gentlemen’s Guide To Rape Culture

This whole article should be required reading for every man, complete with actual tips on what men can do to combat rape culture. 

(via theashleyclements)

Some of the things you inherit from culture are cool and some of them are rape culture.

(via khealywu)


africaisdonesuffering:

Women in Africa and the Diaspora: “Finding The Third Root: Afro-Latinos”
Alicia Anabel Santos is a New York born Dominican Lesbian Writer who is passionate about writing works that empower and inspire women to find their voices. A self-identified Latina Writer, Performance Artist, Producer, Playwright, and Activist, who after reading one too many stories about women she could not wholly relate to, decided to write her own tales that would honor women throughout Latin America and at the same time represent the American-born Latina experience which led her to launch the New York City Latina Writers Group.
Alicia Anabel recently published her memoir, Finding Your Force: A Journey to Love and is currently completing a historical fiction novel titled, The Daughters of the Revolution. Her one-woman show, I WAS BORN, was selected as part of the ONE Festival in 2011, held in NYC. Santos has worked for renowned magazines BusinessWeek, Glamour and Domino, but it was an article published in Urban Latino Magazine, “Two Cultures Marching to One Drum,” that would change the direction of her life. In 2008, she joined Creador Pictures as Writer /Co-Producer of its first documentary, “Afro Latinos: La Historia Que Nunca Nos Contaron / AfroLatinos: The Untaught Story”, a project that will change the way the world sees color and race relations in Latin America.
“AfroLatinos: The Untaught Story” is a documentary that illustrates history and celebrates the rich culture of people of African descent. The documentary covers the story from how and when slaves were brought to Central and South America to the identity-related issues in the Hispanic community today.
Alician Anabel lives in Harlem, NYC with her daughter Courtniana. She is a freelance writer and activist against sexual and physical abuse towards women and children.
Rise Africa received the opportunity to interview Alicia Anabel. Here’s what she had to say… (read interview)
View Larger

africaisdonesuffering:

Women in Africa and the Diaspora: “Finding The Third Root: Afro-Latinos”

Alicia Anabel Santos is a New York born Dominican Lesbian Writer who is passionate about writing works that empower and inspire women to find their voices. A self-identified Latina Writer, Performance Artist, Producer, Playwright, and Activist, who after reading one too many stories about women she could not wholly relate to, decided to write her own tales that would honor women throughout Latin America and at the same time represent the American-born Latina experience which led her to launch the New York City Latina Writers Group.

Alicia Anabel recently published her memoir, Finding Your Force: A Journey to Love and is currently completing a historical fiction novel titled, The Daughters of the Revolution. Her one-woman show, I WAS BORN, was selected as part of the ONE Festival in 2011, held in NYC. Santos has worked for renowned magazines BusinessWeek, Glamour and Domino, but it was an article published in Urban Latino Magazine, “Two Cultures Marching to One Drum,” that would change the direction of her life. In 2008, she joined Creador Pictures as Writer /Co-Producer of its first documentary, “Afro Latinos: La Historia Que Nunca Nos Contaron / AfroLatinos: The Untaught Story”, a project that will change the way the world sees color and race relations in Latin America.

“AfroLatinos: The Untaught Story” is a documentary that illustrates history and celebrates the rich culture of people of African descent. The documentary covers the story from how and when slaves were brought to Central and South America to the identity-related issues in the Hispanic community today.

Alician Anabel lives in Harlem, NYC with her daughter Courtniana. She is a freelance writer and activist against sexual and physical abuse towards women and children.

Rise Africa received the opportunity to interview Alicia Anabel. Here’s what she had to say… (read interview)

(Source: ezibota)


fotzepolitic:

aintgotnoladytronblues:

revolutionary girl utena (various working as be-papas, 1997) & adolescence of utena (kunihiko ikuhara, 1999); “where is my mind?” sucker punch original soundtrack (pixies, covered by yoav & emily browning, 2011); music video (shati, 2014).

the path ahead has already been prepared for you - but - you ask yourself —?

If this doesn’t get you into Utena, I don’t know what will.


The unreal is more powerful than the real. Because nothing is as perfect as you can imagine it. Because its only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles. Wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on. If you can change the way people think. The way they see themselves. The way they see the world. You can change the way people live their lives. That’s the only lasting thing you can create.

Chuck PalahniukChoke (via wordsnquotes)


fuckyeahmarxismleninism:

New York Stands with Rasmea Odeh: ‘Supporting Palestine is not a crime! Hands off Rasmea!’ Picket at the Department of Homeland Security, October 20, 2014.
Photos by redguard
On October 22, 2013, the Department of Homeland Security arrested Palestinian-American feminist, activist, educator and community leader, Rasmea Odeh in her home for alleged immigration fraud as part of an ongoing witch-hunt that targets Arabs and Muslims who criticize U.S. and Israeli policy and labels them “terrorists.” Rasmea is facing trial on November 4, 2014 On October 21, 2014 the Federal Court in Detroit will determine the admissibility of “Israeli evidence” — evidence obtained under torture decades ago inside the prisons of the illegal, colonial, occupying Zionist power.This is not the first time that U.S. Federal prosecutors have used such evidence against Palestinian Americans. 
National call-in Oct. 21: Drop the charges against Rasmea!
Tuesday, Oct. 21 from 9am-5pm Eastern Time: Call the prosecutors and tell them, ‘Drop the charges now!’(1) Call Jonathan Tukel in Detroit at 313-226-9100Chief of National Security Unit, U.S. Attorney’s office, Eastern District of Michigan(2) Call Barbara McQuade at 313-226-9501U.S. Attorney for the Eastern District of MichiganWhen you call say, “Hello, my name is ________, and I am calling from _________ to demand that U.S. Attorney McQuade drop the charges against Rasmea Odeh.” (First name pronounced Russ-MEE-yuh)Make the calls!——————————————-If you can be in Detroit on Oct. 21, join us at the Court Hearing for Rasmea OdehOct. 21 - 10am - Picket line outside the court building231 W Lafayette Boulevard, in Detroit(Google map: http://goo.gl/IUwYdq)fuckyeahmarxismleninism:

New York Stands with Rasmea Odeh: ‘Supporting Palestine is not a crime! Hands off Rasmea!’ Picket at the Department of Homeland Security, October 20, 2014.
Photos by redguard
On October 22, 2013, the Department of Homeland Security arrested Palestinian-American feminist, activist, educator and community leader, Rasmea Odeh in her home for alleged immigration fraud as part of an ongoing witch-hunt that targets Arabs and Muslims who criticize U.S. and Israeli policy and labels them “terrorists.” Rasmea is facing trial on November 4, 2014 On October 21, 2014 the Federal Court in Detroit will determine the admissibility of “Israeli evidence” — evidence obtained under torture decades ago inside the prisons of the illegal, colonial, occupying Zionist power.This is not the first time that U.S. Federal prosecutors have used such evidence against Palestinian Americans. 
National call-in Oct. 21: Drop the charges against Rasmea!
Tuesday, Oct. 21 from 9am-5pm Eastern Time: Call the prosecutors and tell them, ‘Drop the charges now!’(1) Call Jonathan Tukel in Detroit at 313-226-9100Chief of National Security Unit, U.S. Attorney’s office, Eastern District of Michigan(2) Call Barbara McQuade at 313-226-9501U.S. Attorney for the Eastern District of MichiganWhen you call say, “Hello, my name is ________, and I am calling from _________ to demand that U.S. Attorney McQuade drop the charges against Rasmea Odeh.” (First name pronounced Russ-MEE-yuh)Make the calls!——————————————-If you can be in Detroit on Oct. 21, join us at the Court Hearing for Rasmea OdehOct. 21 - 10am - Picket line outside the court building231 W Lafayette Boulevard, in Detroit(Google map: http://goo.gl/IUwYdq)fuckyeahmarxismleninism:

New York Stands with Rasmea Odeh: ‘Supporting Palestine is not a crime! Hands off Rasmea!’ Picket at the Department of Homeland Security, October 20, 2014.
Photos by redguard
On October 22, 2013, the Department of Homeland Security arrested Palestinian-American feminist, activist, educator and community leader, Rasmea Odeh in her home for alleged immigration fraud as part of an ongoing witch-hunt that targets Arabs and Muslims who criticize U.S. and Israeli policy and labels them “terrorists.” Rasmea is facing trial on November 4, 2014 On October 21, 2014 the Federal Court in Detroit will determine the admissibility of “Israeli evidence” — evidence obtained under torture decades ago inside the prisons of the illegal, colonial, occupying Zionist power.This is not the first time that U.S. Federal prosecutors have used such evidence against Palestinian Americans. 
National call-in Oct. 21: Drop the charges against Rasmea!
Tuesday, Oct. 21 from 9am-5pm Eastern Time: Call the prosecutors and tell them, ‘Drop the charges now!’(1) Call Jonathan Tukel in Detroit at 313-226-9100Chief of National Security Unit, U.S. Attorney’s office, Eastern District of Michigan(2) Call Barbara McQuade at 313-226-9501U.S. Attorney for the Eastern District of MichiganWhen you call say, “Hello, my name is ________, and I am calling from _________ to demand that U.S. Attorney McQuade drop the charges against Rasmea Odeh.” (First name pronounced Russ-MEE-yuh)Make the calls!——————————————-If you can be in Detroit on Oct. 21, join us at the Court Hearing for Rasmea OdehOct. 21 - 10am - Picket line outside the court building231 W Lafayette Boulevard, in Detroit(Google map: http://goo.gl/IUwYdq)fuckyeahmarxismleninism:

New York Stands with Rasmea Odeh: ‘Supporting Palestine is not a crime! Hands off Rasmea!’ Picket at the Department of Homeland Security, October 20, 2014.
Photos by redguard
On October 22, 2013, the Department of Homeland Security arrested Palestinian-American feminist, activist, educator and community leader, Rasmea Odeh in her home for alleged immigration fraud as part of an ongoing witch-hunt that targets Arabs and Muslims who criticize U.S. and Israeli policy and labels them “terrorists.” Rasmea is facing trial on November 4, 2014 On October 21, 2014 the Federal Court in Detroit will determine the admissibility of “Israeli evidence” — evidence obtained under torture decades ago inside the prisons of the illegal, colonial, occupying Zionist power.This is not the first time that U.S. Federal prosecutors have used such evidence against Palestinian Americans. 
National call-in Oct. 21: Drop the charges against Rasmea!
Tuesday, Oct. 21 from 9am-5pm Eastern Time: Call the prosecutors and tell them, ‘Drop the charges now!’(1) Call Jonathan Tukel in Detroit at 313-226-9100Chief of National Security Unit, U.S. Attorney’s office, Eastern District of Michigan(2) Call Barbara McQuade at 313-226-9501U.S. Attorney for the Eastern District of MichiganWhen you call say, “Hello, my name is ________, and I am calling from _________ to demand that U.S. Attorney McQuade drop the charges against Rasmea Odeh.” (First name pronounced Russ-MEE-yuh)Make the calls!——————————————-If you can be in Detroit on Oct. 21, join us at the Court Hearing for Rasmea OdehOct. 21 - 10am - Picket line outside the court building231 W Lafayette Boulevard, in Detroit(Google map: http://goo.gl/IUwYdq)fuckyeahmarxismleninism:

New York Stands with Rasmea Odeh: ‘Supporting Palestine is not a crime! Hands off Rasmea!’ Picket at the Department of Homeland Security, October 20, 2014.
Photos by redguard
On October 22, 2013, the Department of Homeland Security arrested Palestinian-American feminist, activist, educator and community leader, Rasmea Odeh in her home for alleged immigration fraud as part of an ongoing witch-hunt that targets Arabs and Muslims who criticize U.S. and Israeli policy and labels them “terrorists.” Rasmea is facing trial on November 4, 2014 On October 21, 2014 the Federal Court in Detroit will determine the admissibility of “Israeli evidence” — evidence obtained under torture decades ago inside the prisons of the illegal, colonial, occupying Zionist power.This is not the first time that U.S. Federal prosecutors have used such evidence against Palestinian Americans. 
National call-in Oct. 21: Drop the charges against Rasmea!
Tuesday, Oct. 21 from 9am-5pm Eastern Time: Call the prosecutors and tell them, ‘Drop the charges now!’(1) Call Jonathan Tukel in Detroit at 313-226-9100Chief of National Security Unit, U.S. Attorney’s office, Eastern District of Michigan(2) Call Barbara McQuade at 313-226-9501U.S. Attorney for the Eastern District of MichiganWhen you call say, “Hello, my name is ________, and I am calling from _________ to demand that U.S. Attorney McQuade drop the charges against Rasmea Odeh.” (First name pronounced Russ-MEE-yuh)Make the calls!——————————————-If you can be in Detroit on Oct. 21, join us at the Court Hearing for Rasmea OdehOct. 21 - 10am - Picket line outside the court building231 W Lafayette Boulevard, in Detroit(Google map: http://goo.gl/IUwYdq)fuckyeahmarxismleninism:

New York Stands with Rasmea Odeh: ‘Supporting Palestine is not a crime! Hands off Rasmea!’ Picket at the Department of Homeland Security, October 20, 2014.
Photos by redguard
On October 22, 2013, the Department of Homeland Security arrested Palestinian-American feminist, activist, educator and community leader, Rasmea Odeh in her home for alleged immigration fraud as part of an ongoing witch-hunt that targets Arabs and Muslims who criticize U.S. and Israeli policy and labels them “terrorists.” Rasmea is facing trial on November 4, 2014 On October 21, 2014 the Federal Court in Detroit will determine the admissibility of “Israeli evidence” — evidence obtained under torture decades ago inside the prisons of the illegal, colonial, occupying Zionist power.This is not the first time that U.S. Federal prosecutors have used such evidence against Palestinian Americans. 
National call-in Oct. 21: Drop the charges against Rasmea!
Tuesday, Oct. 21 from 9am-5pm Eastern Time: Call the prosecutors and tell them, ‘Drop the charges now!’(1) Call Jonathan Tukel in Detroit at 313-226-9100Chief of National Security Unit, U.S. Attorney’s office, Eastern District of Michigan(2) Call Barbara McQuade at 313-226-9501U.S. Attorney for the Eastern District of MichiganWhen you call say, “Hello, my name is ________, and I am calling from _________ to demand that U.S. Attorney McQuade drop the charges against Rasmea Odeh.” (First name pronounced Russ-MEE-yuh)Make the calls!——————————————-If you can be in Detroit on Oct. 21, join us at the Court Hearing for Rasmea OdehOct. 21 - 10am - Picket line outside the court building231 W Lafayette Boulevard, in Detroit(Google map: http://goo.gl/IUwYdq)

fuckyeahmarxismleninism:

New York Stands with Rasmea Odeh: ‘Supporting Palestine is not a crime! Hands off Rasmea!’ Picket at the Department of Homeland Security, October 20, 2014.

Photos by redguard

On October 22, 2013, the Department of Homeland Security arrested Palestinian-American feminist, activist, educator and community leader, Rasmea Odeh in her home for alleged immigration fraud as part of an ongoing witch-hunt that targets Arabs and Muslims who criticize U.S. and Israeli policy and labels them “terrorists.” Rasmea is facing trial on November 4, 2014 

On October 21, 2014 the Federal Court in Detroit will determine the admissibility of “Israeli evidence” — evidence obtained under torture decades ago inside the prisons of the illegal, colonial, occupying Zionist power.This is not the first time that U.S. Federal prosecutors have used such evidence against Palestinian Americans. 

National call-in Oct. 21: Drop the charges against Rasmea!

Tuesday, Oct. 21 from 9am-5pm Eastern Time: 
Call the prosecutors and tell them, ‘Drop the charges now!’

(1) Call Jonathan Tukel in Detroit at 313-226-9100
Chief of National Security Unit, U.S. Attorney’s office, Eastern District of Michigan

(2) Call Barbara McQuade at 313-226-9501
U.S. Attorney for the Eastern District of Michigan

When you call say, “Hello, my name is ________, and I am calling from _________ to demand that U.S. Attorney McQuade drop the charges against Rasmea Odeh.” (First name pronounced Russ-MEE-yuh)

Make the calls!
——————————————-

If you can be in Detroit on Oct. 21, join us at the Court Hearing for Rasmea Odeh
Oct. 21 - 10am - Picket line outside the court building
231 W Lafayette Boulevard, in Detroit
(Google map: http://goo.gl/IUwYdq)


babylonfalling:

Awakening of the Pentagon
Dear Merry Prankster:
On October 21st, a mighty Exorcism of the Pentagon will take place. Pentagons, as you know, are a symbol of evil in almost all religions. We plan to encircle that evil building with waves of beautiful people. We will play “Ring-Around-the-Pentagon-a-Pocketful-of-Pot.” In Washington, all religious fanatics, and your fellow merry pranksters, will meet at the Jefferson Memorial at 11:00 am—or, rather, everyone will bump into everyone else there. A few mobile sound trucks will be around, and rock groups such as Jefferson Airplane, The Fugs, Steve Miller’s Blues Band, Mother Earth and many more, will play for a while. Then a massive swarm will begin. We will hurl everything we’ve got. We will dye the Potomac red, burn the cherry trees, panhandle diplomats and try to kidnap LBJ while wrestling him to the ground and pulling his pants off. We will attack with noise makers, water pistols, marbles, bubble gum wrappers and bazookas. Girls will run naked, and piss on the Pentagon walls. Sorcerers, swamis, priests, warlocks, rabbis, gurus, witches, alchemists, medicine men, speed freaks and other holymen will join hands and encircle the Pentagon—1200 people for each ring. Rock bands will play “Joshua at the Battle of Jericho.” We will fuck on the grass and beat ourselves against the doors. Everyone will scream “Vote for Me,” and we shall raise the flag of nothingness over the Pentagon. We shall all join in the might OM, and the Pentagon will begin to tremble and, as our magic grows stronger and stronger, the Pentagon will rise in the air. A great cry of liberation will echo through the land. “We are free. Great God Almighty! Free at last.”
Love, George Metesky View Larger

babylonfalling:

Awakening of the Pentagon

Dear Merry Prankster:

On October 21st, a mighty Exorcism of the Pentagon will take place. Pentagons, as you know, are a symbol of evil in almost all religions. We plan to encircle that evil building with waves of beautiful people. We will play “Ring-Around-the-Pentagon-a-Pocketful-of-Pot.” In Washington, all religious fanatics, and your fellow merry pranksters, will meet at the Jefferson Memorial at 11:00 am—or, rather, everyone will bump into everyone else there. A few mobile sound trucks will be around, and rock groups such as Jefferson Airplane, The Fugs, Steve Miller’s Blues Band, Mother Earth and many more, will play for a while. Then a massive swarm will begin. We will hurl everything we’ve got. We will dye the Potomac red, burn the cherry trees, panhandle diplomats and try to kidnap LBJ while wrestling him to the ground and pulling his pants off. We will attack with noise makers, water pistols, marbles, bubble gum wrappers and bazookas. Girls will run naked, and piss on the Pentagon walls. Sorcerers, swamis, priests, warlocks, rabbis, gurus, witches, alchemists, medicine men, speed freaks and other holymen will join hands and encircle the Pentagon—1200 people for each ring. Rock bands will play “Joshua at the Battle of Jericho.” We will fuck on the grass and beat ourselves against the doors. Everyone will scream “Vote for Me,” and we shall raise the flag of nothingness over the Pentagon. We shall all join in the might OM, and the Pentagon will begin to tremble and, as our magic grows stronger and stronger, the Pentagon will rise in the air. A great cry of liberation will echo through the land. “We are free. Great God Almighty! Free at last.”

Love,
George Metesky


holgerlippmann:

abracadabra
made with code (processing)
vector for print and carpet knitting
the abracadabra series is made with a set of square frames using processing svg load. the disableStyle(); function is used for code based coloring and the getChild(); function  for individual coloring of polygon parts out of one multi poligonal svg file. it uses an svg array list. the iteration algorithm is dividing  a shape down within a x-9 level loop. each repetition of the process is also called an “iteration”. the results of one iteration are used  as starting point for the next iteration. a whole bunch of commands are either random and/or on keyboard/mouse action for recording…
holgerlippmann:

abracadabra
made with code (processing)
vector for print and carpet knitting
the abracadabra series is made with a set of square frames using processing svg load. the disableStyle(); function is used for code based coloring and the getChild(); function  for individual coloring of polygon parts out of one multi poligonal svg file. it uses an svg array list. the iteration algorithm is dividing  a shape down within a x-9 level loop. each repetition of the process is also called an “iteration”. the results of one iteration are used  as starting point for the next iteration. a whole bunch of commands are either random and/or on keyboard/mouse action for recording…
holgerlippmann:

abracadabra
made with code (processing)
vector for print and carpet knitting
the abracadabra series is made with a set of square frames using processing svg load. the disableStyle(); function is used for code based coloring and the getChild(); function  for individual coloring of polygon parts out of one multi poligonal svg file. it uses an svg array list. the iteration algorithm is dividing  a shape down within a x-9 level loop. each repetition of the process is also called an “iteration”. the results of one iteration are used  as starting point for the next iteration. a whole bunch of commands are either random and/or on keyboard/mouse action for recording…
holgerlippmann:

abracadabra
made with code (processing)
vector for print and carpet knitting
the abracadabra series is made with a set of square frames using processing svg load. the disableStyle(); function is used for code based coloring and the getChild(); function  for individual coloring of polygon parts out of one multi poligonal svg file. it uses an svg array list. the iteration algorithm is dividing  a shape down within a x-9 level loop. each repetition of the process is also called an “iteration”. the results of one iteration are used  as starting point for the next iteration. a whole bunch of commands are either random and/or on keyboard/mouse action for recording…
holgerlippmann:

abracadabra
made with code (processing)
vector for print and carpet knitting
the abracadabra series is made with a set of square frames using processing svg load. the disableStyle(); function is used for code based coloring and the getChild(); function  for individual coloring of polygon parts out of one multi poligonal svg file. it uses an svg array list. the iteration algorithm is dividing  a shape down within a x-9 level loop. each repetition of the process is also called an “iteration”. the results of one iteration are used  as starting point for the next iteration. a whole bunch of commands are either random and/or on keyboard/mouse action for recording…
holgerlippmann:

abracadabra
made with code (processing)
vector for print and carpet knitting
the abracadabra series is made with a set of square frames using processing svg load. the disableStyle(); function is used for code based coloring and the getChild(); function  for individual coloring of polygon parts out of one multi poligonal svg file. it uses an svg array list. the iteration algorithm is dividing  a shape down within a x-9 level loop. each repetition of the process is also called an “iteration”. the results of one iteration are used  as starting point for the next iteration. a whole bunch of commands are either random and/or on keyboard/mouse action for recording…
holgerlippmann:

abracadabra
made with code (processing)
vector for print and carpet knitting
the abracadabra series is made with a set of square frames using processing svg load. the disableStyle(); function is used for code based coloring and the getChild(); function  for individual coloring of polygon parts out of one multi poligonal svg file. it uses an svg array list. the iteration algorithm is dividing  a shape down within a x-9 level loop. each repetition of the process is also called an “iteration”. the results of one iteration are used  as starting point for the next iteration. a whole bunch of commands are either random and/or on keyboard/mouse action for recording…
holgerlippmann:

abracadabra
made with code (processing)
vector for print and carpet knitting
the abracadabra series is made with a set of square frames using processing svg load. the disableStyle(); function is used for code based coloring and the getChild(); function  for individual coloring of polygon parts out of one multi poligonal svg file. it uses an svg array list. the iteration algorithm is dividing  a shape down within a x-9 level loop. each repetition of the process is also called an “iteration”. the results of one iteration are used  as starting point for the next iteration. a whole bunch of commands are either random and/or on keyboard/mouse action for recording…
holgerlippmann:

abracadabra
made with code (processing)
vector for print and carpet knitting
the abracadabra series is made with a set of square frames using processing svg load. the disableStyle(); function is used for code based coloring and the getChild(); function  for individual coloring of polygon parts out of one multi poligonal svg file. it uses an svg array list. the iteration algorithm is dividing  a shape down within a x-9 level loop. each repetition of the process is also called an “iteration”. the results of one iteration are used  as starting point for the next iteration. a whole bunch of commands are either random and/or on keyboard/mouse action for recording…
holgerlippmann:

abracadabra
made with code (processing)
vector for print and carpet knitting
the abracadabra series is made with a set of square frames using processing svg load. the disableStyle(); function is used for code based coloring and the getChild(); function  for individual coloring of polygon parts out of one multi poligonal svg file. it uses an svg array list. the iteration algorithm is dividing  a shape down within a x-9 level loop. each repetition of the process is also called an “iteration”. the results of one iteration are used  as starting point for the next iteration. a whole bunch of commands are either random and/or on keyboard/mouse action for recording…

holgerlippmann:

abracadabra

made with code (processing)

vector for print and carpet knitting

the abracadabra series is made with a set of square frames using processing svg load. the disableStyle(); function is used for code based coloring and the getChild(); function
for individual coloring of polygon parts out of one multi poligonal svg file. it uses an svg array list. the iteration algorithm is dividing
a shape down within a x-9 level loop. each repetition of the process is also called an “iteration”. the results of one iteration are used
as starting point for the next iteration. a whole bunch of commands are either random and/or on keyboard/mouse action for recording…


crossconnectmag:

Maria Rubinke is the Danish artist works with the classic porcelain figure, where she allows the incomprehensible and chaotic in the human subconscious to rise to the surface. The pure white porcelain surface attracts the gaze of the viewer, but at the same time distorts our presuppositions when the small porcelain girls are slowly broken down and subjected to contrast-filled madness. They sink down and seem to drown in the thick mud of the bog and are fatally bitten by a snake. Like the Surrealists, Maria Rubinke thematizes the complexity of the human psyche and works in a formal idiom all her own.
 Rubinke studied at the School of Glass and Ceramics on Bornholm in 2008. Later she has exhibited at Haugar Vestfold Museum of Art in Norway and the Civic Museum Bassano del Grappa in Italy, and most recently she has presented a comprehensive solo exhibition, Fragile, at the Vejle Art Museum in 2012.
                               :-)
Following us on Facebook increases the chance of discovering more talented artists.crossconnectmag:

Maria Rubinke is the Danish artist works with the classic porcelain figure, where she allows the incomprehensible and chaotic in the human subconscious to rise to the surface. The pure white porcelain surface attracts the gaze of the viewer, but at the same time distorts our presuppositions when the small porcelain girls are slowly broken down and subjected to contrast-filled madness. They sink down and seem to drown in the thick mud of the bog and are fatally bitten by a snake. Like the Surrealists, Maria Rubinke thematizes the complexity of the human psyche and works in a formal idiom all her own.
 Rubinke studied at the School of Glass and Ceramics on Bornholm in 2008. Later she has exhibited at Haugar Vestfold Museum of Art in Norway and the Civic Museum Bassano del Grappa in Italy, and most recently she has presented a comprehensive solo exhibition, Fragile, at the Vejle Art Museum in 2012.
                               :-)
Following us on Facebook increases the chance of discovering more talented artists.crossconnectmag:

Maria Rubinke is the Danish artist works with the classic porcelain figure, where she allows the incomprehensible and chaotic in the human subconscious to rise to the surface. The pure white porcelain surface attracts the gaze of the viewer, but at the same time distorts our presuppositions when the small porcelain girls are slowly broken down and subjected to contrast-filled madness. They sink down and seem to drown in the thick mud of the bog and are fatally bitten by a snake. Like the Surrealists, Maria Rubinke thematizes the complexity of the human psyche and works in a formal idiom all her own.
 Rubinke studied at the School of Glass and Ceramics on Bornholm in 2008. Later she has exhibited at Haugar Vestfold Museum of Art in Norway and the Civic Museum Bassano del Grappa in Italy, and most recently she has presented a comprehensive solo exhibition, Fragile, at the Vejle Art Museum in 2012.
                               :-)
Following us on Facebook increases the chance of discovering more talented artists.crossconnectmag:

Maria Rubinke is the Danish artist works with the classic porcelain figure, where she allows the incomprehensible and chaotic in the human subconscious to rise to the surface. The pure white porcelain surface attracts the gaze of the viewer, but at the same time distorts our presuppositions when the small porcelain girls are slowly broken down and subjected to contrast-filled madness. They sink down and seem to drown in the thick mud of the bog and are fatally bitten by a snake. Like the Surrealists, Maria Rubinke thematizes the complexity of the human psyche and works in a formal idiom all her own.
 Rubinke studied at the School of Glass and Ceramics on Bornholm in 2008. Later she has exhibited at Haugar Vestfold Museum of Art in Norway and the Civic Museum Bassano del Grappa in Italy, and most recently she has presented a comprehensive solo exhibition, Fragile, at the Vejle Art Museum in 2012.
                               :-)
Following us on Facebook increases the chance of discovering more talented artists.crossconnectmag:

Maria Rubinke is the Danish artist works with the classic porcelain figure, where she allows the incomprehensible and chaotic in the human subconscious to rise to the surface. The pure white porcelain surface attracts the gaze of the viewer, but at the same time distorts our presuppositions when the small porcelain girls are slowly broken down and subjected to contrast-filled madness. They sink down and seem to drown in the thick mud of the bog and are fatally bitten by a snake. Like the Surrealists, Maria Rubinke thematizes the complexity of the human psyche and works in a formal idiom all her own.
 Rubinke studied at the School of Glass and Ceramics on Bornholm in 2008. Later she has exhibited at Haugar Vestfold Museum of Art in Norway and the Civic Museum Bassano del Grappa in Italy, and most recently she has presented a comprehensive solo exhibition, Fragile, at the Vejle Art Museum in 2012.
                               :-)
Following us on Facebook increases the chance of discovering more talented artists.crossconnectmag:

Maria Rubinke is the Danish artist works with the classic porcelain figure, where she allows the incomprehensible and chaotic in the human subconscious to rise to the surface. The pure white porcelain surface attracts the gaze of the viewer, but at the same time distorts our presuppositions when the small porcelain girls are slowly broken down and subjected to contrast-filled madness. They sink down and seem to drown in the thick mud of the bog and are fatally bitten by a snake. Like the Surrealists, Maria Rubinke thematizes the complexity of the human psyche and works in a formal idiom all her own.
 Rubinke studied at the School of Glass and Ceramics on Bornholm in 2008. Later she has exhibited at Haugar Vestfold Museum of Art in Norway and the Civic Museum Bassano del Grappa in Italy, and most recently she has presented a comprehensive solo exhibition, Fragile, at the Vejle Art Museum in 2012.
                               :-)
Following us on Facebook increases the chance of discovering more talented artists.crossconnectmag:

Maria Rubinke is the Danish artist works with the classic porcelain figure, where she allows the incomprehensible and chaotic in the human subconscious to rise to the surface. The pure white porcelain surface attracts the gaze of the viewer, but at the same time distorts our presuppositions when the small porcelain girls are slowly broken down and subjected to contrast-filled madness. They sink down and seem to drown in the thick mud of the bog and are fatally bitten by a snake. Like the Surrealists, Maria Rubinke thematizes the complexity of the human psyche and works in a formal idiom all her own.
 Rubinke studied at the School of Glass and Ceramics on Bornholm in 2008. Later she has exhibited at Haugar Vestfold Museum of Art in Norway and the Civic Museum Bassano del Grappa in Italy, and most recently she has presented a comprehensive solo exhibition, Fragile, at the Vejle Art Museum in 2012.
                               :-)
Following us on Facebook increases the chance of discovering more talented artists.crossconnectmag:

Maria Rubinke is the Danish artist works with the classic porcelain figure, where she allows the incomprehensible and chaotic in the human subconscious to rise to the surface. The pure white porcelain surface attracts the gaze of the viewer, but at the same time distorts our presuppositions when the small porcelain girls are slowly broken down and subjected to contrast-filled madness. They sink down and seem to drown in the thick mud of the bog and are fatally bitten by a snake. Like the Surrealists, Maria Rubinke thematizes the complexity of the human psyche and works in a formal idiom all her own.
 Rubinke studied at the School of Glass and Ceramics on Bornholm in 2008. Later she has exhibited at Haugar Vestfold Museum of Art in Norway and the Civic Museum Bassano del Grappa in Italy, and most recently she has presented a comprehensive solo exhibition, Fragile, at the Vejle Art Museum in 2012.
                               :-)
Following us on Facebook increases the chance of discovering more talented artists.crossconnectmag:

Maria Rubinke is the Danish artist works with the classic porcelain figure, where she allows the incomprehensible and chaotic in the human subconscious to rise to the surface. The pure white porcelain surface attracts the gaze of the viewer, but at the same time distorts our presuppositions when the small porcelain girls are slowly broken down and subjected to contrast-filled madness. They sink down and seem to drown in the thick mud of the bog and are fatally bitten by a snake. Like the Surrealists, Maria Rubinke thematizes the complexity of the human psyche and works in a formal idiom all her own.
 Rubinke studied at the School of Glass and Ceramics on Bornholm in 2008. Later she has exhibited at Haugar Vestfold Museum of Art in Norway and the Civic Museum Bassano del Grappa in Italy, and most recently she has presented a comprehensive solo exhibition, Fragile, at the Vejle Art Museum in 2012.
                               :-)
Following us on Facebook increases the chance of discovering more talented artists.

crossconnectmag:

Maria Rubinke is the Danish artist works with the classic porcelain figure, where she allows the incomprehensible and chaotic in the human subconscious to rise to the surface. The pure white porcelain surface attracts the gaze of the viewer, but at the same time distorts our presuppositions when the small porcelain girls are slowly broken down and subjected to contrast-filled madness. They sink down and seem to drown in the thick mud of the bog and are fatally bitten by a snake. Like the Surrealists, Maria Rubinke thematizes the complexity of the human psyche and works in a formal idiom all her own.

Rubinke studied at the School of Glass and Ceramics on Bornholm in 2008. Later she has exhibited at Haugar Vestfold Museum of Art in Norway and the Civic Museum Bassano del Grappa in Italy, and most recently she has presented a comprehensive solo exhibition, Fragile, at the Vejle Art Museum in 2012.

                               :-)

Following us on Facebook increases the chance of discovering more talented artists.